Overview

Original Research

THE AESTHETIC EXPERIENCE OF "THE YELLOW RIVER" PIANO CONCERTO FROM THE PERSPECTIVE OF RECEPTION AESTHETICS

JITAO CHEN 1, NATAPORN RATTACHAIWONG 2, and REN XIULEI 3.

Vol 17, No 07 ( 2022 )   |  DOI: 10.5281/zenodo.6875657   |   Author Affiliation: Performing Arts of Doctor of Philosophy Program, Faculty of Fine and Applied Arts, Suan Sunandha Rajabhat University, Thailand 1; Assistant Professor, Dr. Faculty of Fine and Applied Arts, Suan Sunandha Rajabhat University, Thailand 2; Professor, Dr. Faculty of Music, Yunnan Arts University China; Faculty of Fine and Applied Arts,Suan Sunandha Rajabhat University, Thailand 3.   |   Licensing: CC 4.0   |   Pg no: 500-508   |   To cite: JITAO CHEN, et al., (2022). THE AESTHETIC EXPERIENCE OF "THE YELLOW RIVER" PIANO CONCERTO FROM THE PERSPECTIVE OF RECEPTION AESTHETICS. 17(07), 500–508. https://doi.org/10.5281/zenodo.6875657   |   Published on: 18-07-2022

Abstract

Reception aesthetics is mainly a literary research method. It regards the process of aesthetic reception as the core part of the whole literary aesthetic process and places the subjective role of the recipient in an extremely important position. Literary aesthetics and artistic aesthetics are different in form, but they are interlinked in essence. Therefore, the research will take the theory of reception aesthetics as analytical framework, analyze the reason why the Yellow River Piano Concerto has become a classic, explore how to use the theory of reception aesthetics to explain the different experience on the Yellow River of different audience levels, and analyze and summarize the experience of the case study process of the Yellow River from the perspective of reception aesthetics to the aesthetic analysis of other piano music works, highlight the importance of bottom-up aesthetic feedback for artworks, and explore the new forms of piano art development in China in the new era.

Keywords

Reception Aesthetics, "The Yellow River" Piano Concerto, Social Factors