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Original Research

THE CHANGES AND MUSIC ESTABLISHMENT AND IDENTIFICATION OF THE “SANYUESAN” FESTIVAL OF THE “SHE” PEOPLE IN JINGNING COUNTY

YANG WANG, Dr. NATAPORN RATTACHAIWONG and Dr. SHUFENG ZHAO

Vol 17, No 05 ( 2022 )   |  DOI: 10.5281/zenodo.6585952   |   Author Affiliation: Performing Arts of Doctor of Philosophy Program, Faculty of Fine and Applied Arts, Suan Sunandha Rajabhat University ; Asst. Professor, Faculty of Fine and Applied Arts, Suan Sunandha Rajabhat University (and) Professor, Hunan Normal University   |   Licensing: CC 4.0   |   Pg no: 46-55   |   To cite: YANG WANG et al., (2022). THE CHANGES AND MUSIC ESTABLISHMENT AND IDENTIFICATION OF THE   |   Published on: 26-05-2022

Abstract

"Sanyuesan" is a cultural festival of a specific ethnic group residing in the Zhejiang province of Jingning. These ethnic groups are called "She". This study is carried out by field investigation and literature. It covers the characteristics and the series of changes of the time of the Sanyuesan festival. This study will also explain the modern construction and the recognition of festival music. The festival music is an essential bearer reflecting the "She" culture. This research aims to create a new perspective to thoroughly understand the development and the constructive trend of the "She" music festival. This study will also provide a new perception about the inheritance and transformation of their tradition. Qualitative research has been used to carry out this study. This study includes in-depth interviews and participant observation to collect data. After collecting the data, it was comprehensively analyzed and influenced by qualitative analysis. This study explores the historical context and background of the modern construction and recognition of "Sanyuesan" festival music. Social changes and the characteristics of the “She” people are summarized. This study is divided into two categories: division standard and theoretical basis. The division standard takes the real music veneer, mediator, and secondary music veneer. The identity orders are included in the theoretical basis, racial, regional and traditional identity. This study focuses on the modern construction and multi-level recognition of the music festival of the “Sanyuesan”.


Keywords

ethnic group, “Sanyuesan”, modern construction, multi-level recognition.